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Hank Marr: The Groovin' Organist Who Taught Jazz at Ohio State
Hank Marr was a jazz organist who had a long and fruitful career as both a performer and an educator. He was born in Columbus, Ohio in 1927 and started playing piano at an early age. He was influenced by the swing and blues styles of Count Basie, Duke Ellington and Wild Bill Davis. He switched to organ in the 1950s after hearing Jimmy Smith and became one of the pioneers of the soul jazz genre.
Marr recorded several albums as a leader and a sideman for labels such as King, Federal and Double-Time. His most acclaimed album was Groovin' It!, released in 1996, which featured guitarist Wilbert Longmire and drummer Bill Stewart. The album showcased Marr's mastery of the Hammond B-3 organ, his melodic inventiveness and his rhythmic drive. The album included standards such as \"Soft Winds\", \"Killer Joe\" and \"Misty\", as well as original compositions such as \"Jim Dawg\" and \"Easy Talk\".
Marr was also a professor of jazz studies at Ohio State University from 1970 to 1996. He taught courses on jazz history, theory and improvisation, and mentored many young musicians who went on to have successful careers in jazz. He was respected by his colleagues and students for his passion, knowledge and generosity. He retired from teaching in 1996 but continued to perform until his death in 2004.
Marr's legacy lives on through his recordings, his students and his fans. He was a groovin' organist who taught jazz at Ohio State.
One of Marr's most notable collaborations was with tenor saxophonist Rusty Bryant, who was also from Columbus. They co-led a group that toured for several years, beginning in 1958. They recorded albums such as Hank Marr Quartette/Quintette and America's Greatest Jazz Organist for King Records. They played a mix of hard bop, soul jazz and blues, with Marr's organ providing the bass lines and the harmony.
Marr also worked with other jazz luminaries such as James Blood Ulmer, Gene Ammons, Sonny Stitt and Rahsaan Roland Kirk. Kirk was a childhood friend of Marr and they often jammed together in their garage. Marr was one of the few organists who could keep up with Kirk's adventurous and eclectic style. They recorded an album together in 1961 called Reeds & Deeds, which featured Kirk playing multiple horns at once.
Marr was not only a skilled musician but also a savvy businessman. He owned his own record label, Coinchee Records, which he used to release some of his albums and those of his friends. He also owned a pool hall and a barbershop in Columbus, where he often played his organ for his customers. He was a popular figure in his community and a generous supporter of local musicians.
Marr's achievements and contributions to jazz were recognized by several awards and honors. In 1998, he received the Ohioana Career Award from the Ohioana Library Association for his outstanding work in music and education. In 2000, he was inducted into the Columbus Senior Musicians Hall of Fame. In 2001, he was honored with a Lifetime Achievement Award from the Jazz Education Connection of Ohio.
In 1997, the Jazz Arts Group of Columbus established the Hank Marr High School Jazz Award as a tribute to Marr's legacy. The award recognizes an outstanding high school musician and their dedication to jazz performance. The winner receives a cash prize and an opportunity to perform as a guest soloist with the Columbus Jazz Orchestra. The award is sponsored by Jamey Aebersold and Stanton's Sheet Music, with support from the Jazz Education Connection of Ohio.
Marr's music and spirit continue to inspire and influence generations of jazz organists and lovers. He was a groovin' organist who taught jazz at Ohio State. ec8f644aee