Fullmetal Alchemist Episode 25
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Fullmetal Alchemist is an anime series loosely based on the manga of the same title by Hiromu Arakawa.[1] Set in a fictional universe in which alchemy is one of the most advanced scientific techniques, the story follows two alchemist brothers named Edward and Alphonse Elric, who want to recover parts of their bodies lost in an attempt to bring their mother back to life through alchemy.
The first series has been released in a series of thirteen DVDs from December 17, 2003, to January 26, 2005, in Japan.[10] Funimation also released the same series of DVDs from February 8, 2005, to September 12, 2006, in the United States.[11][12] MVM had released the first eight volumes in the United Kingdom; however, Funimation gave the rights over to Revelation Films.[13] In March 2006 a DVD featuring the OVAs was released in Japan with the name of Fullmetal Alchemist: Premium Collection.[10] Funimation acquired and dubbed the Premium Collection, which was released on August 4, 2009.[14] During January from 2009, Bones released a \"DVD box archives\" of the anime. It includes the first anime of 51 episodes, the film, the CD soundtracks, and guidebooks from the series.[15]
This is what happens when you waste too much time on plot diversions. This episode should have come several weeks ago. Then we wouldn't be robbed of the final battle to which it's clearly been building. Instead, this \"final\" episode is all setup. Once it's over, the credits just roll. It's a nice reminder of all the fun our characters had over the course of the series, but it would mean more with a real conclusion before it.
Even if it doesn't work as an ending, this episode was an improvement from the last several before it. It moves through all the major characters and their relationships with each other to remind us why we care about them. It would be perfect if it were actually building up to something we get to see, but it just plays as a reminder of what could have been. Nanbaka might get another season, of course, but even then, this one should have more of a conclusion. The first cour had a stronger ending than this half did!
This has become increasingly common for manga adaptations. I prefer it when manga-based anime would get an original conclusion if the manga were ongoing. Sure, this leads to lots of fan anger when the show diverts too far, but you don't have to pull a Fullmetal Alchemist to give fans a satisfying conclusion. Anime such as Ouran High School Host Club satisfy fans by just \"tying a bow on it\": following the manga until the last episode or two, then creating a finale that ends the story in a logical place. Another approach is to finish at the end of a specific arc, so fans are ready for more but don't feel left hanging if they don't get it. This is what Attack on Titan and My Hero Academia elected to do, andit's also common practice with Western TV shows that have not yet been renewed.
Shows like this one that just trail off are dissatisfying, but Nanbaka is especially so. It's one thing to begin a new story or introduce a new character (as Yona of the Dawn did with its final episode), but quite another to cut off right in the middle of an arc. Fans don't know if we'll ever get any conclusion. Sure, we can always read the manga, and anime adaptations are designed largely to advertise their source material, but they can stand to be less transparent about it. We should feel welcomed to try out other versions, not forced.
All that being said, it was nice to spend quality time with some favorite characters again. Jyuugo got to show off some stunning displays of his powers. Hajime is free to snark at his inmates more. Even the return of Upa and Jiang felt refreshing after far too much time with the weaker Building 3 characters. As a standalone episode, this is far from Nanbaka's worst, but as a finale it leaves too much to be desired. After such a slog of a final arc, they could've found some way to reward fans' patience. Instead, Nanbaka ends in a way that leaves us feeling cheated.
FMA is better with the beginning of the story, which FMAB condenses too much (in less than 8 episodes), so you don't get the same emotional immersion. For example, if you would like to know why Shou Tucker has remained the top hated character since 2003, you'll have to watch the FMA 2003 version first, as FMAB just recaps the event in one episode. And this is one of the major events that shape the lives of the main protagonists, but it will pass you by if you just watch the FMAB version, and it will spoil the story if you decide to watch FMA later. FMAB has a better ending, as it's the manga ending created by the original author.
FMA is better at the first part, which FMAB, condenses too much, in less than 10 episodes, so you don't get the same emotional immersion. FMA ending is ok, FMAB ending it's outstanding, but in my opinion, both stories are worth watching. FMAB closely follows the manga.
\"Full Metal Alchemist is, in a word, brilliant. It's hard to explain exactly why it was so good, so you'd probably just have to see it for yourself. There is a perfect blend of comedy, action, intrigue and excitement all in one. Filler episodes are wonderful and fly by quicker than a bullet train. I never at any point in the series was bored, even for a second. In the beginning, there are a great deal of mini-arcs that deal with events in a certain town or location, but all are still somewhat involved with the main plot. Once the end of the series rolls around, you realize that all of these seemingly unconnected events or places really ARE connected, or come back into play somehow. This comes down to FMA's epic nature at heart, and maybe that's why it was so good, who knows.
FMA is an extremely dark series, with plenty of very messed up scenes and ideas. \"Wow\" came to mind many a time when something gruesome happened yet again, and this continues throughout the entire series. There are plenty of twists and turns along the way (with one really major one near the end), most of which will surprise you and catch you off guard. There is also a plethora of character development and characters in general, all of whom have a rich background and history. The empathy we feel when a character is killed, for example (or hurt in any way) is present throughout the entire series because of how well the character interactions were presented in tandem with the plot. Truly, there aren't enough good things I can say about the story... it reels you in in the first few episodes and holds on tight till the final act (which is a very beautiful yet open ending, setting itself up nicely for the movie). There are barely any series I see that make me want to watch the next episode so badly, and this is one of them, for 51 episodes in a row. A 10 Can't give it anything less.
I can't say enough good things about this series, but I feel like watching it for yourself would make you understand why I gave it a perfect score. Everything about the series is flawless, from the epic and involved story to the pacing and mood, to the music and animation and depth of characters. It really is rare for a series like this to come along that not only succeeds at keeping your attention for 26 episodes, but for 51. What are you waiting for Check this out as soon as you can.\" -sothis
Hi, I personally haven't read the manga, but I've been told that FMA 2003 do follow the manga closely up to episode 25, then it goes into its own story. FMAB condenses those 25 episodes into just 9, so you don't get the same emotional immersion, especially in the Show Tucker Arc, which I think get's spoiled if you watch it in FMAB first in just one episode, for me at least, it was done way better in FMA, hence my recommendation.
Foreshadowing: Bradley's insistence that Selim will never be a weak point to use against him (when Roy threatens blackmail). In the context of this episode, it's underscoring Wrath's complete control and self-confidence, and how Mustang's threats mean nothing to him. Over a dozen episodes later, however, we find out why Bradley really wasn't worried about Selim being used against him: Because Selim is also one of the Homunculi. Frame-Up: Envy didn't just pose as a Amestrian soldier who 'accidentally' triggered the Ishvalan Civil War by shooting a child. What makes it an especially cruel frame-up is that Envy also specifically posed as an Officer who was a noted moderate and who had always publicly opposed the Ishvalan Occupation. Envy's frame-up left this officer no plausible defense and they court-martialed him. O.O.C. Is Serious Business: When Envy explains to Ed and Ling that Gluttony's stomach is a Pocket Dimension with no exit, leaving waiting for death the only option, they speak in a Tranquil Fury tone, which is very unusual for Envy. Coming from a Psychopathic Manchild who loves to inflict suffering on humans and gloat about their atrocities to anyone who will pay attention, Envy for once is being deadly serious. Of course, once Ed mentions that he suspects the Homunculi are connected to the Ishvalan War of Extermination, Envy immediately reverts to their usual self (see Wham Line below). Something Only They Would Say: When Ed and Ling find each other, both try this, understandably suspicious that either one of them could be Envy in disguise. Ling is able to prove he's the genuine article by casually suggesting he could name every item of food he ordered from Ed's room service. In the same vein, Ling is able to test if Ed is the real deal by calling him small, and Ed (in true fashion) angrily snaps at the young prince for calling him that. Wham Line: Ed tells Envy that he had heard that the Ishvalan War of Extermination began when an Amestrian officer accidentally shot and killed an Ishvalan child. Then...Envy: Yep, and the one that proudly pulled the trigger was none other than Yours Truly. 59ce067264
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